Collection

Loan Requests

The Walker Youngbird Foundation welcomes loan requests from museums, galleries, and cultural institutions that share our commitment to advancing Native art and artists.

Joe Feddersen, Kamloops Residential School
Joe Feddersen | Kamloops Residential School, 2024
Our approach

Lending with purpose

Our collection reflects generations of storytelling, resistance, and renewal, and we lend with the goal of amplifying Indigenous perspectives in spaces where they’ve long been underrepresented. We support exhibitions that engage Native voices meaningfully and situate Indigenous art within the broader landscape of contemporary culture.

Please note: We do not lend works of art to private individuals.

We review each request with care to ensure that the work is shown in a context that honors both the artist’s intent and the communities represented. Thank you for your interest in partnering with the Walker Youngbird Foundation.

How to request a loan
6MonthsMinimum notice before your exhibition opens. Please submit in writing.
Include in your request
  1. 01Artist name and title of the work requested
  2. 02Exhibition name and curatorial description
  3. 03Venue(s) and dates
  4. 04Name, phone number, and email for the borrowing institution’s primary point of contact
  5. 05Facilities report for the venue(s), if available. It is not required with your first inquiry.
ADDRESS REQUESTS TOKateri SmithCollections
INQUIRE
Marwin Begaye, Egrets Protection
Marwin Begaye | Egrets Protection, 2018
Recent loan · 2025 – 2026

Visualizing K’é: New Works by Marwin Begaye

Wheelwright Museum of the American IndianSanta Fe, New Mexico

The Foundation loaned a work by Marwin Begaye (Navajo) from the Walker Family Collection to his exhibition at the Wheelwright Museum.

View the exhibition →
From the Journal

Latest stories

All Journal stories →
Sep 1, 2026 · Taylor ColbyCollecting with Purpose | What RemainsNicholas Galanin’s Language removal tools for Indian Children, Mt. Edgecumbe asks what survives after coercion ends, and what a collection is responsible for learning after an object arrives.Read →Aug 19, 2026 · Taylor ColbyNative Currents: Coyote Den, August 11We launched 2026 Market week at the Coyote Den, raising a glass to the artists, curators, museum directors, collectors, and friends who make the week what it is.Read →Jun 4, 2026 · Nina O’NeilCollecting with Purpose | The Artwork of Beau DickDiving deeper into the meaning behind acquisitions to the Walker Youngbird Collection, Reid Walker asked questions of Director and Curator LaTiesha Fazakas, who has been dedicated to studying contemporary Indigenous art since 1998.Read →Feb 18, 2026 · Taylor ColbyThe Infrastructure GapSomething is shifting, and we now have evidence of what that shift looks like.Read →Dec 1, 2025 · Taylor ColbyMiami 2025: Contemporary Native Art and What Its Presence Actually ShowsWith Miami’s December fairs opening this week, the U.S. art market remains cautious: galleries are closing, high-end sales have contracted, but fairs continue to serve as primary venues where new work finds its footing.Read →Aug 27, 2025 · Taylor ColbyIndigenous Art Refuses the Past TenseAt the century-old market, younger Indigenous artists prove that tradition isn’t preservation. It’s evolution.Read →Jul 15, 2025 · Taylor ColbyNative Hawaiian, Not Native Enough? Rethinking Cultural Sovereignty and RepresentationWhat happens when the systems that claim to support Native artists don’t recognize you as Native and American?Read →Jun 26, 2025 · Taylor ColbyHodi:nohšo:nih Clan Mothers: Those Who Name Us in Allegany TerritoryIn Hodi:nöhšo:nih (People of the Longhouse) culture, our women carry many responsibilities as mothers, makers, and knowledge holders.Read →May 20, 2025 · Taylor ColbyThe Story of Walker Youngbird: A Legacy in ArtSome stories are passed down in words, others in objects: fragments of history carried forward by those who hold them.Read →