The Walker Family Collection
In honor of Hans, Tillie and Reba Walker.

Given, not bought
Hans Walker Jr. was a Native attorney who spent his career traveling across Indian Country, and along the way clients, colleagues, and friends gave him art. A soapstone grizzly came from Iñupiaq leaders in Nome. A Navajo colleague gave my parents a sandpainting of a man and a woman for their anniversary, and it hung in the hallway I walked past every day. Nobody called any of it a collection.
None of those early pieces were bought. Each came from a relationship that existed before the object did.
That is not how most collections start.
The works that came to my father marked a career. Along the way we added paintings that belonged to my aunts, trailblazers in their own right. Tillie Walker ran the United Scholarship Service for Native students, worked alongside Martin Luther King Jr. in the Poor People’s Campaign, and later served on the Three Affiliated Tribes council. Reba Walker was a nurse and healer.
Stewardship
The pieces we have added since reflect our own choices about which artists and which work belong here. The collection is contemporary now, still Native, and much larger than a hallway.
We own these works, but most of the first ones were given to us, and that has shaped how we hold all of them. Owning them means taking care of them, understanding them, lending and showing them, and thinking carefully about where they should go after us. We call that stewardship. It is a bigger word than ownership, and a harder one to live up to.
We are one stop in the life of the work.

Preserving legacy. Championing innovation. Lending with purpose.
About us
The Walker Family Collection is a living archive of contemporary and traditional Indigenous art, curated with care, rooted in relationship, and built in alignment with the Walker Youngbird Foundation’s guiding mission:
“To honor and uplift Indigenous voices, creating a world where Native artists can reshape cultural perceptions, preserve heritage, and drive societal change through artistic innovation.”
Spanning painting, sculpture, textile, photography, performance documentation, and ceremonial objects, the collection reflects the multiplicity of Indigenous expression across generations, mediums, and nations. It is both a record of history and a catalyst for what’s to come.
An active collection
The Walker Family Collection is not static. It is active, relational, and evolving, supporting Indigenous artists through acquisitions, partnerships, and long-term engagement.
Lending for exhibitions
The Collection actively supports educational and curatorial initiatives by offering select works on loan to museums, universities, tribal centers, and non-profit galleries. We believe in amplifying Indigenous narratives beyond private ownership and ensuring Native work circulates within dialogues that honor its depth and origin.
Loan requests
Collecting with purpose

Collecting with Purpose | What Remains
Nicholas Galanin’s Language removal tools for Indian Children, Mt. Edgecumbe asks what survives after coercion ends, and what a collection is responsible for learning after an object arrives.
Read in the Journal →
Collecting with Purpose | The Artwork of Beau Dick
Diving deeper into the meaning behind acquisitions to the Walker Youngbird Collection, Reid Walker asked questions of Director and Curator LaTiesha Fazakas, who has been dedicated to studying contemporary Indigenous art since 1998.
Read in the Journal →The Story of Walker Youngbird: A Legacy in Art
Some stories are passed down in words, others in objects: fragments of history carried forward by those who hold them.
Read in the Journal →




