Nicholas Galanin's Language removal tools for Indian Children, Mt. Edgecumbe asks what survives after coercion ends, and what a collection is responsible for learning after an object arrives.

We launched 2026 Market week at the Coyote Den, raising a glass to the artists, curators, museum directors, collectors, and friends who make the week what it is.

Something is shifting—and we now have evidence of what that shift looks like.

With Miami’s December fairs opening this week, the U.S. art market remains cautious—galleries are closing, high-end sales have contracted, but fairs continue to serve as primary venues where new work finds its footing.

At the century-old market, younger Indigenous artists prove that tradition isn't preservation—it's evolution.

At the Walker Youngbird Foundation, our mission centers on amplifying Indigenous voices in contemporary art-voices often unheard or overlooked by national institutions, cultural gatekeepers, and even funding systems that claim to support them. But what happens when those systems don't recognize you as Native and American?

In Hodi:nöhšo:nih (People of the Longhouse) culture, our women carry many responsibilities as mothers, makers, and knowledge holders.