The Walker Family Collection

SELECTED WORKS FROM

  • On Loan

    Jaque Fragua, Jemez Pueblo (b. 1986)
    ‘Black Hole Sun’, 2023
    Featured in ‘Ghost Writing’ at the Plains Art Museum
    Now on view until March 15, 2026

  • Recent Acquisition

    George Morrison, Ojibwe (1919-2000),
    ‘Interlace. Before Noon. Red Rock Variation: Lake Superior Landscape’ 1994

  • Recent Acquisition

    Kent Monkman, Fisher River Cree Nation (b. 1965)
    Study for ‘The Great Mystery’

LIST OF ARTISTS

Baker, Teresa

Bartow, Rick

Begaye, Marwin

Buffalohead, Julie

Cardinal-Schubert, Joane

Craig, Jordan Ann

Fedderson, Joe

Fragua, Jaque

Frey, Jeremy

Galanin, Nicholas

Gibson, Jeffrey

Halfmoon, Raven

Heap of Birds, Edgar

Houle, Robert

Janvier, Alex

Kahlhamer, Brad

Mallory, Brenda

Monkman, Kent

Namingha, Dan

Niro, Shelley

Quick-to-See Smith, Jaune

Red Star, Wendy

Scholder, Fritz

Simpson, Rose B.

Singletary, Preston

Smoke Santiago, Natasha

WalkingStick, Kay

Watt, Marie

Whitehorse, Emmi

Yuxweluptun, Lawrence Paul

Preserving Legacy. Championing Innovation. Lending with Purpose.

  • The Walker Family Collection is a living archive of contemporary and traditional Indigenous art—curated with care, rooted in relationship, and built in alignment with the Walker Youngbird Foundation’s guiding mission:

    “To honor and uplift Indigenous voices, creating a world where Native artists can reshape cultural perceptions, preserve heritage, and drive societal change through artistic innovation.”

    Spanning painting, sculpture, textile, photography, performance documentation, and ceremonial objects, the collection reflects the multiplicity of Indigenous expression across generations, mediums, and nations. It is both a record of history and a catalyst for what’s to come.

  • The Walker Family Collection is not static. It is active, relational, and evolving—supporting Indigenous artists through acquisitions, partnerships, and long-term engagement.

    Key features include:

    • Acquisition of work by both established and emerging Native artists

    • Community-centered stewardship with artist-approved handling and contextualization

    • Museum and institutional loans, making work accessible to broader audiences

    • Support for under-recognized regions and practices within Native art history

    • Archival care and documentation that respects cultural specificity

  • The Collection actively supports educational and curatorial initiatives by offering select works on loan to museums, universities, tribal centers, and non-profit galleries. We believe in amplifying Indigenous narratives beyond private ownership and ensuring Native work circulates within dialogues that honor its depth and origin.

    If you're interested in collaborating, hosting, or learning more about loan availability please visit our Loan Requests page.