George Alexander
George Alexander II (Aka. Ofuskie) is a Muscogee Nation artist that blends surrealist symbolism with Indigenous values and a visionary humanitarian outlook. His work inspires dialogues on unity, compassion, and the eternal pursuit of progress. By exploring themes such as time, dreams, landscape, and identity, he encourages viewers to reflect on their own roles in creating a more harmonious and equitable world.
Starting Out
When the grant began in 2024, George was working from his studio in Santa Fe, New Mexico, where he also prints and hand-packages his own limited-edition prints.
His current series looks at the identities given to us and the one we resonate with, using abstract marks to trace how we find meaning and discover ourselves. Works from the series include Multidimensional (48 x 60 in.), Stoic (32 x 32 in.), and Part of the Heard (8 x 10 in.).
“This current series explores the identities bestowed upon us and the one we resonate with. The abstract marks represent finding meaning and discovering ourselves.”
In the Studio
Diné Photographer Kelso Meyers visited George Alexander in his Santa Fe Studio to discuss his background and showcase work-in-progress for his upcoming showcase.
Miami Debut Showcase
During Art Basel Miami, the Walker Youngbird Foundation officially launched with a celebration honoring its inaugural grantee, Muscogee-Creek artist George Alexander. The event marked both the foundation’s public debut and a milestone moment in George’s career, spotlighting his bold and visionary practice at the heart of one of the world’s most influential art gatherings.
The energy in the room reflected both excitement and intention, as artists, curators, and cultural leaders came together to celebrate Native excellence. Notable attendees included fellow artists Nicholas Galanin, Tony Abeyta, Jaque Fragua, and Nico Williams, alongside a broad network of friends and colleagues from the art world.
George’s work opened up conversations around identity, legacy, and contemporary Indigenous experience, reminding us why this kind of support and platform-building matters. As the first grantee of the Walker Youngbird Foundation, George set a high bar for the future, leading with clarity, generosity, and artistic integrity.
“The Walker Youngbird Foundation has been a cornerstone in my journey, offering invaluable support and opportunities that have elevated my art to new heights. Their commitment to fostering Native voices has not only strengthened my practice but also enriched my creative experience in ways I never imagined.”
Follow George's work
This page grows as the work develops. Check back for new chapters.